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'Natural Selection'

Ecological model


This installation is based on the listening ecology found in the model of female frog mate selection within a calling male frog chorus. Through a study of current research into the mating of frogs we have found that female frogs select a mate from within the male frog chorus according to the temporal and spectral characteristics of their calls. Through our research we have found that the male frogs calls have four main characteristics, dominant call frequency (pitch of the call), pulse rate of the call, call rate (how often they call) and call duration (how long they call for).
This installation is based on a simple model of the interactions found between the male frogs in the chorus with the user taking on the role of the female as a perceiver embodied within the sonic environment. Each male frog is represented by a ‘sound object’, which is simply a resonator excited by a motor. These sound objects have been designed to represent the four main characteristics of the male frogs call: the size of the resonator being linked to the dominant call frequency of the frog; the pulse rate is variable dependent on lighting conditions; each frog is fitted with a light sensor the output of which is affected by a users locality causing disturbances to the light source; the call duration is fixed but different for each frog.

 

 

The Algorithm


The rules that govern the local interactions between the males are based on research that suggests that female frogs prefer 'leading males', i.e. males that are perceived by the female to be calling in front of the other frogs. To produce this effect the male frogs listen to their nearest neighbours (the others being masked by the noise of the chorus) and consciously alter their call rate so as not to coincide with other males. To model this interaction each frog has a set call rate which is modified through the application of an algorithm based on a resettable oscillator. Each of the frogs is wired to its two nearest neighbours to resemble the listening conditions in the wild, if a frog 'hears' a neighbour making its call, by virtue of receiving a current down a wire it resets its oscillator to 1 thus inhibiting its own call and lengthening or shortening its own call rate. The local interaction between the male frogs is our algorithmic structure that has been set up to exhibit emergent results. The temporal sonic form of the piece is not only governed by the frogs own set call rate but by the interactions of the frogs with their nearest neighbours.

 

 

 

 

Levels of Interaction


An important design feature of this installation is that interaction is present on a number of levels. The sound objects interact on a temporally structural level with each other; the user interacts with the sound objects disrupting their sound; the embodied user also interacts in traversing the environment on a spatial and perceptual level.
These varying levels of interactions were designed to encourage a perception of emergence that becomes manifest when the perceiver is forced to reconceptualise the subject matter.
'Once we have fixed our observation frame we can talk precisely about emergence : whether the behavior of the physical system has changed with respect to the frame and in what ways it has changed' (Cariani)
Thus our installation encourages the user to make constant changes in their level of listening engagement from the micro (frog) to macro (chorus) level. The user is encouraged to seek out certain sounds within the environment and approach the sound making objects. On getting too close to the objects however their light source is cut off and the objects sound is disturbed or discontinued. This then encourages the user to lose interest in the sound object (frog) they have chosen and listen again on a more macro scale taking in the sound of the whole chorus of sound objects (frogs) from their new position relative to the user. We hope that this encouraged change in perception of listening to the system will lead the ear of the listener and help in the perception of the emergence of the sound world as a whole.